|
|
Beta 181
Toms
This the latest addition to
Dave's arsenal of Shure microphones. After checking them
out at the 2017 NAMM show, Dave had to try them out!
They're now in Dave's studio and sometimes on his live kit,
picking up the sound of Dave's toms.
The precision-engineered BETA®181 is a versatile
condenser instrument microphone with interchangeable
polar pattern capsule options.
- Side-address microphone for instrument miking in tight
recording and performance spaces
- Condenser cartridge with choice of cardioid,
supercardioid, omnidirectional, and bidirectional polar
patterns
- Includes BETA 181 with choice of polar pattern,
microphone clip, windscreen, zippered carrying case, and
user guide
Click
here to learn more and purchase. |
 |
Shure SM57
Snare
The Shure SM-57
unidirectional dynamic microphone is exceptional for
musical instrument pickup or for vocals. It has been
Dave's choice for his snare drums ever since he first
began miking drums.
With its bright, clean sound and carefully contoured
presence rise, the SM-57 is ideal for live sound
reinforcement and recording. It has an extremely
effective cardioid pickup pattern which isolates the
main sound source while minimizing background noise. In
the studio, it is excellent for recording drums, guitar,
and woodwinds.
For musical instruments or vocals, the SM-57 is a
consistent choice of professional performers. It is also
the standard microphone used on the podium of the U.S.
President for over 30 years. Its outstanding
performance, legendary reliability, and diversity of
application make this "workhorse" the choice of
performers, producers, and sound engineers the world
over.
TECHNICAL:
-Contoured frequency response for clean, instrumental
reproduction and rich vocal pickup
-Professional-quality reproduction for drum, percussion,
and instrument amplifier miking
-Uniform cardioid pickup pattern isolates the main sound
source while reducing background noise
-Pneumatic shock-mount system cuts down handling noise
-Extremely durable under the heaviest use
-Frequency response: 40 to 15,000 Hz
Click
here to learn more and purchase. |
 |
Shure SM-81
Hi-Hats
The SM-81 is Dave's go-to mic
for his hi-hats!
The SM-81 is ruggedly
constructed. It operates on phantom power and performs
over a wide range of temperatures and humidity
conditions. It is furnished with a swivel adapter,
attenuator-switch lock, foam windscreen, and case for
carrying and storage. Other accessories are available.
-0 Hz to 20 kHz frequency response
-Flat response curve for accurate reproduction of sound
sources
-Low noise and high output clipping level
-Low distortion over a wide range of load impedances
-Cardioid polar pattern, uniform with frequency and
symmetric about axis, providing maximum rejection and
minimum coloration of off-axis sounds
-Low RF susceptibility
-Selectable low-frequency response: flat, 6 or 18
dB/octave rolloff
-0 dB/10 dB lockable attenuator switch
-Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc)
-Rugged steel construction for durability
-Field-usable over wide range of temperature and
humidity conditions
Clck
here to learn more and purchase. |
 |
Shure Beta-52
Bass Drum
The Shure Beta-52 is a
professional quality kick drum mic made for studio and
live use. It has a frequency response that has been
specifically tuned for kick drums as well as other bass
or low frequency instruments (like bass guitar). It has
a great sound with excellent attack and frequency
response. You can place it right in the kick next to the
beater (if you like a lot of click) as it can handle up
to 174 dB. The frequency response is 20Hz up to 10kHz.
The polar pattern is super-cardioid which is more
directional at lower frequencies. The mic will reject
sounds from the rear and sides which makes it work well
in the studio and for live situations.
This is a a high output dynamic mic which can take the
punishment of being on the road. It is Dave's choice for
bass drums of any size. He also uses it
for the DG Gregorio cajon (port miking) and underneath the Remo Tombek, producing a great low end
sound.
TECHNICAL:
- 20 Hz to 10kHz Frequency Response
- Designed Specifically for kick drums and bass
instruments
- Built-in locking stand adapter
- XLR connector
- Great for Studio performance
- Can Handle upto 174dB SPL: extremely high sound
pressure levels
- Supercardioid pattern allows high gain while rejecting
sounds from rear and sides
- Steel mesh grille guards against wear and abuse
- Pneumatic shock mount system
- Neodymium magnet for high Ouput signal
- Low sensitivity |
 |
Shure Beta-98
Toms (occassionally used)
Dave still occassionally uses
these mics (and the SM98s before them) for live
situations, mostly for toms. However, he recently
switched over to the new Beta 181s in the studio.
TECHNICAL: The Beta 98D/S is a high performance
mini-condenser microphone designed to excel at
professional sound reinforcement or recording. Its
ultra-uniform supercardioid pickup pattern provides high
gain before feedback and excellent rejection of unwanted
noise. An optional cardioid cartridge lets you easily
adapt the mic to different applications.
As the successor to the popular SM98A, the Beta 98D/S
features several notable improvements. Dynamic range is
4 dB greater, as is headroom, while maximum SPL is 5 dB
higher (now 160 dB!). Physically, the mic utilizes a
thicker, beefier Triple-Flex® cable (detachable).
With the unique A98D microphone drum mount (supplied),
no other rim-mounted microphone stays more securely in
place. This hardware has been redesigned for quicker,
more secure rim-mounting without the need for a drum
key. Its flexible gooseneck lets you position the mic in
practically any configuration, so you get a virtually
unlimited choice of sound options. Its unobtrusive
design and compact size help the Beta 98D/S reduce stage
clutter to an absolute minimum. (The microphone is also
available without the drum mount - model Beta 98/S.)
Because it bears the Shure name, you can be certain that
the Beta 98D/S will withstand just about any abuse it
may run across and keep delivering great sound.
TECHNICAL:
-Tailored frequency response for studio quality
performance
-Wide dynamic range for use in high SPL environments
-Uniform supercardioid pattern for high gain before
feedback and superior rejection of off-axis sound
-Optional A98D drum mount is unobtrusive and
versatile--allows precise positioning of the microphone
while holding it firmly in place
-Compact design reduces stage clutter
-Detachable cable for easy storage
-Interchangeable microphone cartridges with different
polar patterns are available
-Legendary Shure quality, ruggedness, and reliability |
 |
Shure KSM 44
Overhead/Room Mic
This is Dave's first choice
for that open overhead sound, capturing all of the drums
and cymbals with a nice bright tone and big overall
warmth.
The KSM44A is a premium,
large-diaphragm, side-address condenser microphone with
multiple polar pattern options (cardioid,
omnidirectional, bidirectional). The refined and
sophisticated design of the KSM44A features an
externally biased, dual 1-inch diaphragms, extensive
internal pop filtering and Prethos® Advanced
Preamplifier Technology for a ground-breaking threshold
minimum of self-noise. The KSM44A is the premier choice
for the highest level of professional studio and stage
performance.
A milestone achievement in sound reinforcement, Prethos
Advanced Preamplifier Technology employs transparent
internal circuitry architectures that enable
unprecedented audio quality and performance.
Prethos® Advanced Preamplifier Technology: Class A,
discrete, transformerless preamplifier provides
transparency, extremely fast transient response and no
crossover distortion. Minimizes harmonic and
intermodulation distortions.
Click
here to learn more and purchase. |
 |
Shure KSM 141
Overheads Mics (on the road)
Dave's go-to overhead mic for
the road, or tighter overhead applications in the
studio.
The KSM141 is a dual-pattern
end-addressed condenser microphone with a rotating
collar, allowing easy switching between a consistent
cardioid or true omnidirectional polar pattern for
smooth and extremely focused sound reproduction.
Designed for studio use, yet rugged enough for live
applications, the KSM141 can withstand extremely high
sound pressure levels (SPL). Its low self-noise and
extended frequency response make it ideal for recording
musical instruments.
Click
here to learn more and purchase. |
